Amazarashi-『多数決』(Majority) Track Review

Kicking myself for missing this one.

But better late than neveramazarashi-tasuketsu-mouth-logo-750x400.jpg

Japanese art rock/ alt rock/visual artist Amazarashi just put out his new single “『多数決』(Majority)” and it is great. Its like this was written to be an Anime intro and since I loves me some anime so thats just fine by me.

Sonically though like alot of Amazarashi songs theres a lot going on here theres the core of the track which is a upbeat bouncey rock track and on of this core Amazarashi put all these strings and keys and  of course Amazarashis amazing singings on top. In comparison to the material off the pervious release, last years release “Seasons Die” which was a very skelital, dark, piano driven song (I’ll link the video down below as its beautiful), Its very different. It isn’t an unwelcome direction as Amazarashi has done songs like this in the past and has never really had a set sound, its clear its an Amazarashi song, but the intrumentation and vibe changes from release to release.


Really enjyoing this song looking forward to the new album gona slap a healthy 8/10 on this one probobly one of my top singles of the year.


Track Review: Whitechapel- The Void

mark of the blade.jpgTennessee deathcore bruisers Whitechapel have just released their newest single for their forthcoming “Mark of The Blade” which is titled most metaly “The Void”. This track is the second single for the new album and i was apprehensive to listen to as I wasn’t too crazy about the first single from the album titled “Mark of the Blade”, but Holy fuck “The Void” is everything in my own opinion that a Whitechapel song should be: its heavy, its got riffs, its got groove and Phil Bozeman gives a terrifyingly good vocal performance.

The whole vibe of the track is very close to a lot of what was heard on the previous album “Our Endless War” which saw white chapel become alot more melodic, become more focused on songs and less focused on breakdowns. In alot of ways this track is a more refined version of that  sound and a sign of Whitechapel moving away from being a deathcore band to go in a more metallic direction.

The production on the song is also razor-sharp, which is to be expected when they’ve teamed up with producer Mark Lewis, whose credits include band such as Cannibal Corpse, God Forbid and Unearth. The end result is a track that fucking brutal.

Overall really fucking love this track gonna slap a meaty 8.5/10 on it

check it out here:



Album Review: Pierce the Veil- Misadventures

Pierce the Veil are a California post-hardcore/rock/soundtrack to your, you don’t understand mom years band, and they’ve just released their new album: Misadventures. This band are a funny one for me, because as much as I want to dislike their melodramatic sunshine emo punk I just can’t. I really enjoyed their last album “Collide With the Sky”, despite it being full of annoying lyrical tropes that seem built to pander to their mainly very young audience the album was still had very catchy choruses, had some great sa3818e70-ceca-4293-b5c1-b842b4bb47e2.jpgounding instrumentals and the latin influence on the album gave it a real flair a lot of their contemporaries did not have. And before listening to this album the first two singles “Texas is Forever” and “Circles” were great really good radio songs, so I’ve decided to check it out.

Not gonna sugar coat it the opening song “Dive In” is weak as the opening for the album, the dynamic shift from the sad ballad to punk thing is a good idea but it takes to long to get to the payoff overall which makes for a really underwhelming start to the album. After this, they kick into “Texas is Forever, and they pull it back with a bombastic punk song which would have probably been the better choice as the opening for the album. That aside this album is pretty decent it feels like they were trying to go for a harder version  of the direction “Collide With The Sky” went while trying to evolve to be a little more mature sounding. Instrumentally this album is solid there are some good riffs and PTV aren’t afraid to bring out the shred when it’s required the inclusion of keys on some of the songs is really welcome too.  The only thing I have to say is lyrically the album can feel very samey at times, most of the songs on this album are about love or heartbreak, it wouldn’t be fair to expect “Operation Mindcrime” from these guys but for god’s sake talk about something other than love.

The production on this album is pretty good, its really modern sounding probably closer to the kind of production you’d expect from a pop band than a rock band very clean not sterile there’s a lot of warmth, and its really big sounding too. The guitar tones are good, very open and don’t have a compressed distortion to them, more a very bitey crunch. The bass guitar is very present and a very mid heavy classic punk sound to it. the drums are nice sounding there’s a lot of space to them and maybe they could be louder on some tracks on the louder busier tracks they have a tendency to get lost in the mix. The vocals are well performed too frontman Vic Fuentes brings a lot of personality to his very high melodic singing which is peppered with emotion fueled screams.

I like this album,as far as this genre of music goes it’s a pretty good record and has a lot of good ideas and a lot of memorable hooks and choruses. But I feel like they had the potential to put out something better, but were maybe held back by trying to not alienate their fanbase. Overall good album, it’ll probably be the soundtrack to someone’s summer but for me somewhat lukewarm


Album Review Kvelertak, Nattesferd

kvelertak-nattesferd-compressed.jpgKvelertak (Phonetically Ke-vel-er-tak) are a Norwiegen Metal band who combine elements of old school metal, punk, classic rock, and of course because Norway there’s  obviously a heaping tablespoon of black metal in the mix too, All this combined Makes up the band’s sound which is so, so, so damn good.  And their newest album “Nattesferd” is up for streaming so it’s review time.

This album isn’t really any great departure for Kvelertak, since their first album they’ve really kept the core of their sound which is really catchy riff-driven party songs refining it as time goes on. They have however on this record decided to have more slowed down headbang riffs with the addition of more sparkly cleanish passages and acoustic guitars. The record isn’t their debut it’s nowhere near as fiery its more mellowed out and has more texture to it, so i wouldn’t say this is bad its just different. Overall I’d say this is Kvelertak’s most accessible record to date, but they haven’t sacrificed what makes them a great band for this accessibility.

The album also has definitely a more classic feel to the production, like compared to the last two albums which were produced by Kurt Ballou from the band Converge which a comparably crisper more modern production to them, on “Nattesferd” Kvelertak have opted for a more something more reminiscent of the type of production from and old classic rock record. This More classic sound is pretty cool,  it adds a lot of warmth and body to and it suits Kvelertak’s sound pretty well.

overall really enjoyed this record was something a little different from what Kvelertak had done in the past, and its really played to their favour on this


Sikth-Opacities Review

So I was in Love Music in Glasgow a week or two after record store day because I had to work on RSD so I couldn’t do the whole queuing up from 5 in the morning thing . but when I was looking through the metal section I found this wee beauty on vinyl and I decided to grab it cause the cover art was sick.

So here’s some background on the record,Sikth are a UK based metal band who are best Known for being one of the progenitors of the genre formally known as djent. Who after a long-ass hiatus came back did some shows, Decided they liked making music together again so they wrote an EP called Opacities. And I’m going to give it wee review for the sake of science and because I think its pretty damn good.

So let’s get rooiight into the review………

The EP opens with the track: “Behind the Doors”, which is a mathy unhinged explosion of an opening track. It’s got a riff to make you bang your head until you get whiplash and the chorus begs for an audience to sing it back. Vocalist Mikee Goodman sounds like he’s losing his mind during the song and it works to greatsikthopacities.jpg effect to really create this feeling of insanity. The second track “Philistine Philosophies” Is a groove machine of a track with a meshuggah-esque feel in the verse where everything is locked to this very mechanical sounding groove but after this, the chorus takes on a very melodic epic feel the guitars almost sounding like they’re trying to imitate strings, and it’s just a very nice song. The next song “Under the Weeping Moon” is a great slice of modern metal it follows a lot of the same beats as “Behind the Doors ” however this track is a lot more melodic and less chaotic. “Tokyo Lights” is a spoken word track its a bit weird and jarring Goodman again sounds like he’s playing this insane character who sounds like a mix of Old Greg from The Mighty Boosh and The Joker it’s really creepy and weird not, quite sure how I feel about it . The next two tracks really follow the same progressive mathy Avant gardeness and then the ep ends

My overall feeling is that this is a really good EP the songwriting is really strong and deserves a lot of praise, and the production is really clear. Definitely give it a listen if you likez the djentz.